Often at night (using underwater  lights), both above and below the waterline, the images will employ a  poetic visual language with the intention of moving between the real and  non-real, embodying binary contradictions.  The  movement of the kayak is linear, through space; the photograph records  light and captures time making it timeless, reconciling "maternal" time  with linear time (Kristeva). In this sense, the kayak/boat space becomes  an eliptical portal between realities – both an ancient vessel and  transportion vehicle for exploration, and an embodied symbol (archetype:  portal/doorway/birth canal) (Medvedev-Mead). Peering below the  waterline is akin to entering a liminal space, an unknown realm. The  liminal is a mysterious space much like the body, with similar  associated fascinations and fears. On a metaphoric level Fear of the  Deep and Fear of the Body trigger the same visceral reactions, they are  places where psychological shadows lurk, an opportunities exist to  engage the Other.   
seeking solace


 
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